Saturday, February 26, 2011

Inner Exercises from the net

nner Exercises of Gurdjieff

This being-brain in the
contemporary three-brained
beings there is not localized
in ONE COMMON MASS, as is
proper to the presences of
all the other three-brained
beings of our Great Universe,
but is localized in parts,
according to what is called
`Specific Functioning,' and
each such part is localized
in a different place of their
whole planetary body.

"But although, in its
exterior form, this being-
center of theirs has now
variously placed concentrations,
nevertheless all its separate
functionings are correspondingly
connected with each other, so
that the sum total of these
scattered parts can function
exactly as in general it is
proper for it to function.

"They themselves call
these separate localizations
in their common presence
`nerve nodes.'

"It is interesting to notice
that most of the separate parts
of this being-brain are localized
in them, just in that place of
their planetary body where such
a normal being-brain should be,
namely, in the region of their
breast, and the totality of these
nerve-nodes in their breast, they
call the `Solar Plexus.'"
--Gurdjieff
--ch 17, arch absurd
--Beelzebub's Tales

" . . . in the whole
region of my spine
there began an intense,
almost unbearable itching
and in the very center of
my solar plexus an equally
unbearable colic, and after
a while these two mutually
stimulating sensations
gave way suddenly to a
peaceful inner state
such as I experienced
in later life only once,
when the ceremony of the
"GREAT INITIATION" into
the BROTHERHOOD of the
"MAKERS OF BUTTER FROM
AIR" was performed
over me."
--Gurdjieff
--ch 1, arousing of
--Beelzebub's Tales

Possible Foundations Of Inner Exercises
AGE Blake

http://www.gurdjieff-internet.com/article_details.php?ID=16&W=6

The present study begins with
notes of an exercise given by
Gurdjieff In New York (which he
describes in his Third Series of
Writings), which is reproduced
after our commentary. The
reader can then see for
herself whether our
analysis holds water.
Our purpose is to delineate
the essential characteristics
of this exercise to serve as a
guide to other exercises, such
as those developed by John Bennett
in later years from Gurdjieff's.
Gurdjieff himself explains many
things about 'attention', 'I Am'
and so on in his Third Series of
writings and we come to some of
these explanations at the very
end of our discussion.

---------------------------------


Outline

Gurdjieff refers to this exercise
as the "compromise" exercise. In
this exercise, attention is
divided between the breathing
and the head brain and the
results of this are
gathered into or
concentrated in the
solar plexus. Gurdjieff
says that this will enhance
the sense of 'I AM', which
he couples with what he
calls 'active mentation'.

Attention & Associations

In describing the exercise,
Gurdjieff makes a number of
statements about attention.

For 'real men' there is an
attention that can be divided
into two directions.

There are three
kinds of attention.

The attention of a real man
can be free of associations.

The attention of a real man would
be 'conscious'. The pragmatic test
is that such an attention can be
divided. The three kinds of
attention are referred to by
Gurdjieff as 'to sense, feel
and constate' - which we might
know more abstractly as sensing,
feeling and thinking.

Associations go on by themselves
and Gurdjieff says they not only
go in our sleep, when we dream,
but even after death! In describing
(conscious) attention, he says that
it can be concentrated away from
such automatic proceedings.

In the course of describing
the exercise, he tells his pupils
to concentrate their attention on
specific aspects of their
(experiential) organism. In
everyday life, we would not
do this. Though not specifically
mentioned in this description, we
should bear in mind the kind of
ideas he put forward in the
beginning of his teaching
about man as a 'factory',
taking in raw materials of
food, air and impressions and
transforming them (see in In
Search of the Miraculous by PD
Ouspensky). Part of this
transformation goes
automatically, by itself,
but there are stages that
require conscious work. This
is where the attention of a
real man comes in.

Warning

Both at the beginning and at
the end of his description,
Gurdjieff warns against auto-
suggestion. He also warns against
excessive zeal and 'self-enthusing'.
In contemporary colloquial language,
we might say that if someone is
'getting off' on this exercise,
then it is going wrong. Gurdjieff
is emphasising that doing this
exercise should have nothing
to do with generating emotional
experiences. The real results
accumulate gradually through
repeated practice.

In modern times, inner exercises
of various kinds have been taken
up precisely because they give rise
to emotional experiences. It is
forgotten that, for example, in
Buddhism Mara the 'evil one' was
the name given to bliss experienced
in meditation! Gurdjieff is also
following the core tradition of
mysticism in Christianity, which
tended to reject 'experiences'
as distractions. He makes the
exercise seem like shovelling
coal!

In a technical sense, 'bliss'
(as in the ananda of the Hindu
sat-chit-ananda-being-consciousness-
bliss) is always a descending phenomenon,
which means that a higher energy is
transforming down into lower
energies. Gurdjieff's exercise
appears to have the intent of an
ascending process. Flying in the
face of his repeated assertion that
'man cannot do' he claims that this
exercise will enable his pupils to
"do", which may be to build up a
substance giving the possibility
of doing.

Here we will simply remark that
John Bennett described such a
possibility in terms of his own
language, drawn from science, of
'potential energy'. Energy withdrawn
from actualisation, from anything
happening, enables real choices
to be made, or voluntary action
taken (see his series of
lectures recently
republished under
the title
Making a
Soul).

Assimilating Air

In this exercise, Gurdjieff says,
the attention is divided into two
parts. The first part concentrates
on breathing: becoming aware of the
air coming into the lungs and then
leaving, but not entirely, since
some of it is assimilated. The
air that is assimilated 'flows
in my presence'. Now, it is
likely that Gurdjieff was not
referring to oxygen here as the
part of the air that is assimilated
(there is a tantalising passage about
the active ingredients in the air,
which is deliberately broken off
and left unfinished, in the
Third Series).

In later years, John Bennett would
explain that there is an 'active
substance' in the air--he even at
one time said that it can be
derived from the sun - and
that this active substance
can only be assimilated into
us if it is taken in consciously.
The underlying reference is to
the theory of the 'food factory'
we mentioned before: in order
for the second-being food or
'air' to be transformed it
requires at a certain point
assistance from (intentional)
impressions - i.e. conscious
attention.

It is widely known that awareness
of our breathing changes our state.
But the idea that it can produce a
certain substance in us is very
much Gurdjieff's alone. John
Bennett speaks of it as prana -
a Hindu term that is usually
translated as something like
'life-force'. Needless to say,
there is no evidence whatsoever
for there being such a substance,
besides the changes in state that
are subjective and we are even
warned about by Gurdjieff
himself.

The Mental Component

By concentrating on the breathing,
the pull of mental associations has
become weak. However, next 'the other
half' of the attention is put onto the
'mind' or, as Gurdjieff also calls it
'my head brain'. He says that with
practice we can detect something
arising there from our
associations, at first
faintly. Nowhere does he
say what this 'something'
is. He even says that "what
arises in the brain is not
important"; instead he says
that there should be a flow
in to the solar plexus.

The austerity of language
should be remarked. In this
case it is most fitting since,
in general, the substance of the
head brain is taken as abstract.

However, there is a sense in
which we can take what arises
and what flows as in some way
being the 'substance underlying
associations, thoughts or
knowing'.

Solar Plexus

What flows in my presence from
the air and what comes from my
head brain combine together in
the solar plexus. Gurdjieff does
not say that they blend together
or make any statement about their
conjunction. The location of the
solar plexus is only explained
indirectly when Gurdjieff says
that the exercise increases the
strength of his 'I AM'. Someone
who actually does the exercise
can see what this means for
herself. Speculations based
on the chakra system tend to
be totally misleading since
Gurdjieff never used this
system or made reference
to it. Nor does he make
use of other Asian
concepts such as
the 'stove of
the belly'.

What is striking is that the
Desert Fathers practised bringing
their thoughts into the region of
their navels (hence the origin of
the phrase 'navel-gazers') and
readers of the immensely
influential Philokalia may
recognise the similarities.

In Gurdjieff's own system, it
is fair to say that 'I' would
be most associated with the
head brain and 'AM' with
the solar plexus.

Proceeding Automatically

More than once, Gurdjieff says
that the exercise or part of it
is proceeding in him by itself or
automatically. It is worth taking
note of this. While Gurdjieff is
talking, the exercise is building
and proceeding in him. But, how
can it proceed automatically
when the whole emphasis has
been on concentrating the
attention?

It would confuse the clarity of
the exercise to say very much about
this; but it seems to us that it is
important to observe that concentrating
the attention is not really a matter of
effort. Nor is it a matter of 'I am
doing this'. There is more a sense
of an impersonal act proceeding by
itself. One intends something such
as a flow from the head brain to
the solar plexus and then one
has to allow it to happen as
it will: it is no good 'doing'
anything to try and make it
happen. It is as if the act
of seeing creates what is
to be seen.

Trying to describe and explain
what happens can generate metaphysical
sickness, and a stark simplicity is
called for in the doing of the
exercise. However, it is
important to grasp that
what Gurdjieff calls
'automatic' has two
sides to it.

Intended Results

Gurdjieff says that the practice
of this exercise by his pupils is
"only a preparation to have an 'I'"
but in his own case it provides 'food'
for his 'I'. The task for the pupils is
to recognise the two sources - the flow
from the head brain and the assimilation
from the air. We have already mentioned
that he also said it would enable
people to 'do' or have the
possibility of doing as
well as the wish to do.

LOSE YOURSELF TO FIND YOURSELF

We want to draw attention here
to a common feature of Gurdjieff's
methods, which might be expressed as:
first detach, then divide and then
unite into a new whole. What can be
taught or imparted is something
about detachment and division.
But the new unification
cannot be taught. As long
as people remain followers
of the instructions, they
remain divided. No one can
tell them to unite themselves,
to 'make' I AM in themselves.
Gurdjieff suggests that he
unites himself and then
leaves it there.

His almost final statement about
the exercise is that it will enable
his pupils to have 'real active
mentation'. This may be the key
to the whole thing. The very
idea that inner exercises
should be devoted to
something that is akin
to thinking is anathema
to most so-called 'spiritual'
seekers at the present time. It
is also a side of Gurdjieff that
has been strangely neglected by
those professing to follow his
ideas. Though Gurdjieff's active
mentation is not just our usual
'thinking' it is still
conscious, willed
direction based on
understanding and is
what thinking ought to
be.

Another way of regarding
active mentation is as
'thinking with the
whole of oneself'.

Essential Features

It is useful to make a summary
of the essential features of this
exercise. Readers may differ with
us on our choices and interpretations.
Such a summary may also be tested
against other exercises (as we
will do in the following essay).
At the outset, we have to state
that it is our contention that
such an exercise is integrally
connected with the rest of
Gurdjieff's teaching,
particularly with his
theories of human structure
and process. We believe that
his account of the assimilation
and transformation of the three
'foods' of food, air and
impressions is of paramount
importance. The general
inference from this
teaching is that
conscious attention
can affect the process
of transformation; in
particular, to produce
'substances' that would
not otherwise be made.

These substances share in the
characteristic of enablement:
if we have them, we can 'do'
and if we do not then wanting
to do is just wishful thinking.
In a word, these substances turn
our view of ourselves as free,
whole, creative beings from
fantasy into reality. We spoke
of 'wishful thinking' and might
consider that such substances
when added to the equation
produce a real result:

thinking + wish +
substance = real
doing.

1 The purpose of such an
exercise is to produce
an enabling substance
(or energy) that can
make life more real.

2 It depends on exercising a
free attention that can be
divided into at least two
parts.

3 There is an energy or substance
that can be assimilated or made
available to us by bringing
attention onto our breathing.

4 In a perhaps similar way, there
is an energy or substance that
can be released from the
thinking process or head
brain by careful
attention.

5 Such energies can be combined
together to produce a new
sense of wholeness or
'I-Amness'.

The 'sense' of new wholeness that
is posited at the end of the exercise
is the most important 'proof' of the
efficacy of the exercise. But, as we
commented, it is the most problematic -
not least because it has to be self-
defining. However, during the course
of the exercise, it is possible for
us to test out and explore the
meaning of points 2, 3 and 4.
These features give us a
chance to struggle with
our convictions. We just
have to come to terms with
how things work out in us
when we try to follow the
instructions. We have to
decide what is real in
our experience.

There is no way of knowing whether
what happens to one person is the
same as to another. Each will
describe their experience in
different terms. We have
adopted the method of
'experienting' to take
account of this, which
has the advantage of
providing mutual
support without the
imposition of any one
person's models of the
experience.

Experienting also follows the
situation exemplified by Gurdjieff
himself in describing the exercise,
where it is clear - and even stated
by him - that the exercise can be
working in him as he speaks about
it [see below on 'Transmitting
Exercises'].

In 'experienting' every participant
is encouraged to articulate the process
going on in her or him while it is taking
place. At first this feels like an added
difficulty and an immense distraction.
But it facilitates detachment from
emotional experiences (see
Gurdjieff's warning) and can
also assist in the end, through
practice, in attaining the condition
indicated by Gurdjieff of the exercise
'proceeding automatically'.

The five essential features we have
listed all belong to what can be
called a 'psycho-cosmology'. It
is difficult to establish whether
knowing about this is an integral
part of the exercise or not. One
imagines that Gurdjieff's pupils
were well aware of the background
to the exercise they were being
shown. The exercise can be done
without knowing anything about
the 'food factory' model but
would it be the same?
Gurdjieff gives the
essentials without
any appeal to theory
but it would be hard
to put it all together
without some theoretical
support.

We tentatively, then,
add a sixth feature:

6. To constate and reason on
the purpose and meaning of the
exercise, with the provisos "don't
imagine things" and "don't be the
slaves of the data you have
within yourselves for auto-
suggestion".


---------------------------------

The Exercise as given by
Mr. G. (with some
minimal editing)

This version differs slightly
from the text given in the
Third Series

The totality of man's attention
received from the whole of him,
from all his spiritualised parts,
he can divide into two directions.
For real man there is one attention.
Only this attention can be divided
into two directions. In general
if the sources of man's attention
are taken into account, there are
three kinds of attention. You must
first understand and then
recognise the difference.
When this attention is
concentrated, then our
associations are 'in
galoshes'.

Associations can never stop.
If they would stop men would
die. Associations always flow.
Even after death they continue
to flow by momentum. Only when
attention is seriously occupied,
associations are not constated;
all the same they flow
automatically. Even in
sleep they continue and
are sometimes remembered-
this is what constitutes
dreams. Those who remember
their dreams were only half
asleep. If a man really
sleeps, his attention
also sleeps.

Real man has one attention.
When this is concentrated
seriously somewhere, whether
on his body or on something
outside, and all the forces
of his attention are
concentrated, his
associations do not
hinder him. For example
I am now looking at L.,
and my attention is
directed on my right
foot; so although I
look, I see only
automatically, my
attention being
elsewhere.

I will now show you that new
exercise, the one to which is
attached the risk I spoke of,
the "compromise" exercise.

It is a serious experiment; many
of you have such data in you for
auto-suggestion that impressions
may be obtained which will be the
result of some kind of self-
hypnotism.

If you are now a nonentity, you
may become a thousand times more
so. You might, if you will excuse
my using this word, "stink". Be
careful with the experiment. It
is not quality that is necessary,
but quantity. Do it often. Don 't
try to get absolute results. Make
repeated efforts. Then only little
by little, can you actualize results.
Then only will you be able to "do".
And parallel with wishing to "do",
there will arise in you the
possibility of "doing".

Do this without excessive zeal,
without self-enthusing, which is
a very harmful property. If you
repeat this exercise often, your
auto-suggestiveness will diminish.

This is the exercise.

Outwardly, at the first glance, this
exercise is simple. For instance, you
see, I sit here in my usual posture. I
am dividing my attention. But no one
can see this inner process. I divide
my attention consciously into two
parts. With one part I now sense,
feel and constate simultaneously
with one conscious concentration.
Now I breathe. I feel that
something happening to the
air that I breath in. Part
of it goes in, part goes out,
and a part remains. My organism,
that is my lungs, take a part,
then a part leaves and a part
remains. I feel what is
happening in my lungs.
When I breath in, part
of the air is assimilated
and I feel its flow all over
the body. It goes everywhere.
I keep my attention fixed; I
feel, I sense how this air is
being assimilated in me and
how it flows in my presence.
It is not necessary to find
out where it goes, it just
flows in my presence.

One part of my attention is
occupied with this - breathing,
assimilating and flowing of the
air. Already my mental
associations are very
weak. I notice them
sometimes, by the way,
because part of my
attention is free,
and is able to
notice mental
associations.

Now I will concentrate the other
half of my attention on my mind,
my head brain. I feel that in my
head-brain something arises from
the total of the flow of associations
there. I don't know what is taking
place there, but there is
something, and with my
half attention I notice
this very thin something
arise, so small, so light,
so thin, that nobody feels
it the first few times, not
until constant practice gives
the feeling. I know this
subjectively because I
have practised it. I
feel, I sense, l constate,
that something arises in my
head-brain. All the time, of
course, the other half of my
attention is occupied with
the breathing process. Even
while speaking, this
exercise is being
automatically
done.

Now I direct my attention to
help this something in my brain
to flow towards my solar plexus.
What arises in the brain is not
important. What is important is
that the something that arises
there should flow into the
solar plexus. Now I feel
how it flows. My attention
is fully occupied and I don't
see any more associations. All
my attention is occupied with
feeling, sensing, and
assimilating the flow
of air and also with
this arising in my
head-brain.

This flow of assimilated air,
and this something which arises
in my head brain, I specially,
consciously, with my wish,
concentrate to let it flow
into my solar plexus. Now, by
the way I feel and constate that
I breathe, I assimilate and that
this flow goes to the solar plexus.
And all the time the flow from the
air I breathe and the flow from my
head-associations go to the solar
plexus although they issue from
different sources.

For me personally, at the same time,
I feel very strongly that I AM. I feel
that I AM ten times stronger. My "I"
takes in this food more intensely,
but for you, at the present moment,
do not do this exercise in order to
be stronger. For you this exercise
is only a preparation to have an
"I" and so that you should
constate the two sources
from which this "I" can
arise. For me it gives
food to my "I". It makes
it stronger, so that now
I am not "tail of donkey".
I AM.

But you can not yet use this
exercise to make yourself stronger;
you must first learn and constate
the two sources from which this
possibility can arise, to have
a real "I" - from air and from
mentation, even automatic
mentation; and then, when
you will have practised
this exercise a great
deal, you may be able
to have possibilities
for real active mentation.
And then with real active
mentation, the "I" can
become stronger.

Enough. I stop and let these
processes proceed in me automatically.
Now, without titillation without
philosophizing and manipulation,
try to understand the total of
all this and formulate it
according to your
subjective
understanding,
according to
whatever kind
of idiot you
are.

Then do [it].

Don't imagine things.

Don't be the slave of the
data you have in yourselves
for autosuggestion, but try
very hard.

We have at hand another report
of an exercise dictated by Mr
Gurdjieff, this time dated to
1939. It is instructive to
read this account in the
light of our previous
discussion. We add
some comments
afterwards.

Exercise by Mr. Gurdjieff
From hand-written note 1939

Fifteen minutes relax. Break
tempo of ordinary life before
doing exercise.

Breathe in - 'I'.

Breathe out - 'am'.

With all three parts do.

Not just mind.

Feeling and body also.

Make strong! Not easy thing.

When breathe out, imagine part
of air stays in and flows to
corresponding place. Where
flow, how flow, that is its
business. Only feel that part
remains. Before beginning
exercise say: 'I wish to
keep this substance for
myself'.

Without this conscious and
voluntary labour on your part
nothing at all will be coated.
All in time will evaporate.
Just this small property in
blood makes possible very big
result if done with conscious
labour. Without this, one
month you must work for
such result.

When doing, must be careful not
to change exterior. It is inner
thing. No one need know. Outside
keep same exterior. Inside you do.
Not hold breath. Just breathe in
and out. Of course, to change
thinking will take time.
Automatically breath will
adjust. To be able to do
exercise not lopsidedly
you must put whole
attention on it.

To arouse feeling, interest
and attention, for co-operation
you must think following before
beginning: 'I am now about to
begin this exercise. With full
attention I will draw in my
breath, saying "I" and
sensing the whole of
myself. I wish very
much to do this in
order that I may
digest air.'

To arouse body to co-operate,
take corresponding posture. Inner
tension of forces. Mobilise your
centers for working together for
this aim.

In breathing, imagine something
flows, like when inhaling cigarette.
I am now about to begin this exercise,
which I have been fortunate enough to
learn from Mr. Gurdjieff, and which
will enable me with the aid of
conscious labour, to coat higher
bodies in myself from active
elements in the air I
breathe.

First of all, it is clear that
this exercise constitutes only
a part of the one we reviewed
before (the 'compromise' exercise
as Gurdjieff called it). This part
concerns awareness of breathing and,
in particular, of part of the indrawn
air being assimilated and flowing to
its 'corresponding place'. It is
important to note that these
exercises had a somewhat
modular character in that
more simple exercises
could be combined to
form more complex
ones.

Though he does not use the
same words - sense, feel and
constate - that we encountered
before, the intent is exactly
the same: "with all three
parts do".

He emphasises wish in this
exercise, and speaks of "feeling,
interest and attention" instead
of just attention.

An important word in this
description is "imagine".

Of particular interest is his
comments on preparation and
disposition. These include:

Fifteen minutes relaxation
"to break the tempo of
ordinary life"

Taking a "corresponding posture"
for the body to co-operate [as we
learned this from John Bennett, it
was to sit with erect posture with
the hands on the knees, in balance
and not slouched]

Having a clear mental intent to do
the exercise and realise that it is
for the conscious 'digestion' of the
air that will make a "coating" for an
inner body. [Gurdjieff also implies
there should be a feeling of
gratitude towards himself
for providing the exercise].

In our essay on 'Inner Exercises'
we spoke of the three stages of
preparation, concentration and
realisation. Here we see preparation
pointing to the engagement of the whole
of oneself in the act of concentration.
In this instance, the preparation
includes an intellectual
understanding of what the
exercise is for. In our
previous comments we left
this open as a question: Is
it necessary to know the 'theory'
behind the exercise? Now we see
that the answer to this
question is 'Yes'.

It is for the person doing the
exercise to decide whether what
is happening in connection with
his breathing is 'just' her
imagination or whether this
imagination is simply the
means of realising what is
taking place 'because of'
imagination. In his teaching,
John Bennett used to caution
against using the concept of
'just imagination' implying
that imagination was not
necessarily indulging in
fiction but a real action
that could produce
definite results
in us.

The supposed result of the
exercise, however, is something
out of sight. As far as we know,
no one supposes that it is possible
to observe 'coating' - which would
be tantamount to observing the
formation of one's soul. It is
in the realm of being or 'what
is' and cannot be seen as a
process. In our analysis in
'Inner Exercises' we equated
it with samadhi for the
reason that no
observation is
possible. The
dilemma then is
that we have to
take this result
on faith because
there is no way in
which we can know it
directly for ourselves,
which contradicts the
basic foundation of
these methods on
verifying for
oneself.

John Bennett appeared to have
claimed that he could perceive
such results. We remember him
once remarking to a lady that
she now had her kesdjan body,
which was much to her surprise
since she had no sense of it
herself!

---------------------------------

We should emphasise that the use
of breathing advocated by Gurdjieff
did not involve changing the breathing
in any way. The breathing tends to
change of itself and this should be
allowed to happen in a natural and
easy way. Gurdjieff was against
altering the natural tempo of
breathing, instead emphasising
the supreme importance of
awareness and attention as
changing the very substance
of the air itself in us.

---------------------------------

In the next section, we look at
other features of the exercises
which have come down to us over
the years. We also take into
account some of the material
to be found in Ouspensky's
book In Search of the
Miraculous. Needless to
say, attempting any of
these things at random
is of little
consequence.

Bennett's Struggle in Paris

In the book written by his widow,
Elizabeth, Idiots In Paris, we can
read of John Bennett's struggle with
a basic exercise apparently given
him by Gurdjieff.

Though we cannot presume to know
the whole of this, he does provide
an outline of what it entailed. Very
simply, he would kneel with arms out
sideways, fixing his attention on a
fixed spot on the wall. The
accumulating sensation (even
pain perhaps) in his arms would
establish 'Am' and the mental
focus would provide 'I'.

Gurdjieff seemed to have been
consistently concerned with 'I
Am' exercises. Readers of In
Search of the Miraculous may
remember his account of monks
in Mount Athos who would
pronounce the word "I" while
noticing where it 'sounded' in
them (see loc. cit. page 304).
For some it would be in the
chest and others in the head -
or even above the head. He also
mentions that they would adopt a
certain posture, such as kneeling
with the arms lifted and bent at
the elbows.

"The purpose of this exercise is
to feel 'I' every moment a man
thinks of himself and to bring
'I' from one center to another."

One of the reasons for discussing
this exercise is that it makes very
clear that Gurdjieff was not at all
concerned with what is now generally
called 'meditation'. John Bennett
always made it clear that the
exercises derived from
Gurdjieff were active,
while meditation was
essentially receptive;
a distinction that is
discussed in his book The
Sevenfold Work. We would do
the active exercises in the
morning and the receptive
ones at night.

If we were to attempt a
single simplistic formula
for the Gurdjieff exercises,
it would be:

To realise 'I Am' including the
generation or accumulation of
energies enabling 'I' to 'Am'.

In doing an exercise, the person
would have to draw on the whole of
themselves. Thus, Gurdjieff would
speak of integrating the impulses
of 'I can, 'I wish', and 'I am'
as can-wish-am. This was nothing
but a direct application of his
teaching that man consists of four
personalities. These are now only
crudely understood in terms of body,
feelings, mind and 'I'. Behind this
model stands the model of the food
factory, and the implications
stemming from correspondences
such as: body-food, feelings-
air, mind-impressions.

Relaxing and Filling

From the early days in Russia,
Gurdjieff taught relaxation and
sensing (see In Search of the
Miraculous pp. 350-1). There he
initiated the practice followed
more or less since of beginning
relaxation starting from the
muscles of the face. He also
showed how to 'feel' (i.e.
sense in fact) any part of
the body at will. The exercise
in 'circular sensation' shown
around 1917 became Bennett's
'Six Point Exercise' used at
Sherborne more than fifty
years later.

It is not documented when Gurdjieff
explicitly introduced the practice
of 'filling', though it became
'The' exercise for many after
his death. In 'filling' we
bring sensation energy into
the body. Starting with the
feet. Thus, relaxation goes
from top to toe and filling
from toe to top. The head is
the last thing to be filled
with sensation.

The deliberate sensing and movement
of sensation is at first an astonishing
thing. As far as we know, no one besides
Gurdjieff has drawn attention to this as
a fundamental practice of voluntary
experience. It predates biofeedback
by half a century. It is also
intriguing, as Ouspensky points
out, that none of this is to be
found in yogic practice.

In teaching about relaxation and
filling it was always emphasised
that attention should never be
drawn into the inner organs
such as the heart, liver,
spleen, etc. This advice is
echoed in e.g. autogenic
therapy. The reason for
it is that unskilled
attention can alter the
tempo of functioning or
other features of the organ.
In general, Gurdjieff was
against any altering of
diet, chewing,
breathing, etc.

Bennett's arms out sideways (a
practice that certainly came from
Gurdjieff) will inevitably produce
sensation! It must be emphasised over
and over again that Gurdjieff taught
that we do not need to get beyond
the physical because we are not
in it yet - and the first step
is to attain the physical!

Stillness

Besides keeping the body still,
there was also taught a way of
having an inner stillness as
well. This concerned two things.
The first was the 'balancing of
the three centers' and the second
was 'non-emanation'. The 'all-three-
centred-balanced-state' was as it
sounds, bringing the three
centres into equal
attention.

[As an aside, we might refer to
the Samkhya system in which the
primal nature or prakriti consists
of the three gunas in equal proportions.
In this condition, nature no longer
obstructs or hides the 'witness',
the spirit or purusha. Samkhya
is the closest equivalent of the
Gurdjieff system in Asian teaching,
as was pointed out by Sri Anirvan in
Lizelle Reymond's book To Live Within
(readers should attempt to find the
Coombe Springs Press edition since
the current one is lacking some
material).]

The non-emanating state is alluded to
in the exercise of the Immovable Point
discussed in our previous essay. In
this, we imagine that our psyche is
like a cloud surrounding the physical
body through which 'vibrations' come
and go. In the non-emanating state
this flow of vibrations is calmed
down and diminished. A more modern
description would be 'containment'.
The state is relaxed but not
distracted.

The two - 'balanced' and
'non-emanating' - amount
to the same thing in
practice (at least,
we have found so).

Conscious stealing

One of the many things that
Gurdjieff taught was that there
were concentrations of energy that
included higher energies - we might
also say now, that included information.
He even suggested that there were such
concentrations on the scale of the
solar system, embodying 'images'
of the higher principles. On Earth,
he said that there were
concentrations of energy
around places associated
with sacred individuals.
The four usually referred
to were: Lhasa (Saint Lama),
Mecca (Muhammad), Benares
(Buddha) and Jerusalem
(Jesus). It was possible
to 'download' we might say
from such concentrations into
ourselves for our own work.

This was associated with the
concept of 'conscious stealing',
which postulated that we could
just 'take' something if we
could really make use of it.
How we might contact and draw
into ourselves substance from
such concentrations cannot easily
be described here. Suffice it to
say that we have to visualise
such concentrations and
connect with them by
means of a 'thread',
whence we bring their
substance into
locations in
our bodies.

This linking with concentrations
of energy associated with places
extended to deliberately bringing
higher energies into 'non-sacred'
places such as London. This we did
only once with John Bennett. It is
mentioned here to emphasise this
side of the exercises: making
connections with places and
energies outside of
ourselves.

Sacred exercises

How the exercises developed with
John Bennett is largely unknown. He
introduced material from Sufi, Hindu
and Taoist sources, though it is our
contention that he remained true to
Gurdjieff's method. We speak of
sacred exercises here because as
he developed or taught them, some
of the exercises were religious in
character. In 'The Eye of the Needle'
exercise, for example, we were to
realise what it is of us that can
pass into the sacred realm.

We have no evidence whether Gurdjieff
taught an exercise similar to 'The
Master'. In this as in some other
exercises, the attempt is made
to connect with the 'Real "I"'
employing means that treat this
'I' as a sacred image. There are
demanding tasks of visualisation
involved.

Transmitting Exercises

In the Third Series (Life Is
Real Then, Only when 'I Am')
Gurdjieff explains:

". . . I was convinced of the
impossibility of exactly explaining
and fully formulating in words the
various fine points of the
procedures of any intentional
experiencings and exercises for
the purpose of self-perfection . . .
knowing at the same time of the
existence among our remote
ancestors of a special
method which was then
called the 'principle
of illustrative inculcation'
for the purpose of better
taking in new information,
I therefore introduced
this method also in
general program . ."

Illustrative inculcation means
taking people through the exercise
while doing it oneself, so that the
person teaching the exercise is in
actual contact with what happens in
it as he speaks. Besides making the
explanations more authentic, there
may be a biochemical factor. It
seems from recent research that
the action of peptides in one
person can affect those in
others who are near. The
peptides are critical for
the intercommunication
between the three main
physical systems:
limbic-digestive;
respiratory-
circulatory
and neural-
brain.

Similarly, the instructor may be
able to tune in to his audience
and adjust what he says to suit
their level of experience.

Final Comments

We propose that there is a basic
Gurdjieffian 'I Am' exercise in
which the subjective (I) and the
objective (am) are fused. No one
else has this basic exercise.
Ramana Maharshi's 'Who am I?'
is not the same thing.

To fuse I with Am we have to bring
into play the three realms that are
roughly indicated by thought, feeling
and sensation. This bringing into play
also minimises distraction from mental
associations. The exercises are done
while sitting still. We do not know
whether Gurdjieff taught them to be
done with eyes closed or open.

The exercises require preparation
and right disposition to begin,
including some background
understanding of what they
are for. The exercises are
not concerned with generating
emotional experiences but with
'making a substance'. This
substance is characterised
somewhat as an 'ableness',
such as in being able to
"do".

The exercises are embedded in deep
views of reality, or psycho-cosmologies.
The latter term means an understanding of
the world that also makes account of
human experience and possibilities.
Gurdjieff connects his exercises
with active mentation. This might
mean that it is possible to 'do'
them while 'thinking' as long as
there is sensation as well.

They are also related to some kind
of practice 'in life'. Gurdjieff seems
to advocate 'returning to oneself' -
like touching base again - in his
well known but obscure self-remembering
("to feel 'I' when he thinks of himself").
A typical experience of self-remembering
is like a clean wave of energy sweeping
through oneself that it is difficult to
sustain without turning it into
something of less value. There
can also be a sense of the
body that is very new and
different from usual.

The exercises can become very
complex, but everything depends
on being able to become aware of
energies or just 'something' - and
to locate and direct them. Sensation,
wish and attention are key. If anything,
attention is the 'Philosopher's Stone',
by which the enabling energies are
generated.


---------------------------------


Extracts from a section on
'Attention' in John Bennett's
book Deeper Man

"To be effective, the will needs
an energy that is like itself. Man
has been given such an energy and
with this he can set himself free.

"Many people believe this energy to
be thought or consciousness; but it
takes very little to realize that
something deeper stimulates thought
and that consciousness does not
initiate anything. Neither thought
nor consciousness are a true
beginning. In every act of
will there is a beginning
of something new and the
only thing that corresponds
to an act of will is
creative energy. . . .

"At the moment of bringing
attention to something there
is no effort; effort only comes
in when we try to sustain our
attention. . . .

"Work with attention enters into
all work on oneself. It is the ground
on which a great deal is based. If we
cannot tell the difference between
voluntary and involuntary attention,
we are living in a dream world."
(pages 34-6)

Gurdjieff on the possible
transmutation of the physical
body, from In Search of the
Miraculous:

"The whole of the physical body,
all its cells, are, so to speak,
permeated by emanations of the
matter si 12. And when they have
become sufficiently saturated the
matter si 12 begins to crystallise.
The crystallisation of this matter
constitutes the formation of the
'astral body'.

"The transition of matter si 12
into emanations and the gradual
saturation of the whole organism
by it is what alchemy calls
'transmutation' or transformation.
It is just this transformation of
the physical body into the astral
that alchemy called the
transformation of 'coarse'
into the 'fine' or the
transformation of base
metals into gold."
(page 256)

Gurdjieff on attention, feeling
and sensing, from Life is Real
Only Then. When "I Am":

" . . . it is indispensable first
to learn to divide one's entire
attention in three approximately
equal parts, and to concentrate
each separate part simultaneously
for a definite time on three
diverse inner or outer
'objects'.

"For the possibility of a
practical achieving of this
aim, in the same mentioned
detailed program [of G's
Institute] were indicated
a series of exercises
under the name 'soil
preparing'. . . .

"First, all one's attention must
be divided approximately into three
equal parts; each of these parts must
be concentrated on one of the three
fingers of the right or left hand,
for instance the forefinger, the
third and the fourth, constating
in one finger - the result
proceeding in it of the
organic process called
'sensing', in another -
the result of the process
called 'feeling', and with
the third - making any
rhythmical movement and
at the same time automatically
conducting with the flowing of
mental association a sequential
or varied manner of counting. . .

" . . you Americans . . . totally
lack any understanding of the
difference between two
entirely distinct
impulses of an
average man,
namely, between
the impulses of
'feeling' and
'sensing'."

After connecting feeling with
the solar plexus and sensing
with the spine, he goes on
to urge his audience:

". . . to understand the sense
and significance of this exercise
[exercise 4 in a series], without
expecting to obtain any concrete
results."

And he speaks of these exercises
as "required for the acquisition
of one's own individuality"
(pages 112-5)

On the solar plexus

". . . a man who already has
his real I, his will . . . pronounces
aloud or to himself the words 'I am',
then there always proceeds in him, as
it is called, 'solar plexus', a so to
say 'reverberation', that is,
something like a vibration, a
feeling, or something of the
sort. .. . . without this even
if only imagined experiencing of
the reverberation, the pronouncing
aloud or to oneself of the words
'I am' will have no significance
at all . ."
http://groups.yahoo.com/group/gurdjieff/message/2308
© AGE Blake

Thursday, February 24, 2011

Repayment to teachers

Direction by ravi.

1. Increase members.
2. Make sure the teacher does not have to come back again to the earth.

secrets of breath watching

Great direction given by Ravi :

1. Are we breathing or are we being breathed.
2. If we watch our breathing slowly we see how subtely the breath turns and how the body has intelligence to provide the right amount of air needed for us for that moment.
3. If we are being breathed we count in the overall scheme of the cosmos. Our life has a value a purpose for the service of the cosmos.

Tasks:
1. Watch breath. See its changes.
2. Sense if we are breathing or we are being breathed. where is the location of the breathing I?

Place where impressions fall

I feel, just as seeds on fertile grounds sprout and seeds on rocks wither and die, our reactions depend on where the impression falls..sometimes a hurting word falls on a rock in our being..and therefore we dont reach and can "see" it. Sometimes it falls on another part - and then it touches us to the quick. Same with the glance of a girl or words of a teacher. The true state of our being can only be known by our reactions to impressions..if we catch it and transmute the negative emotion (of both joy and sorrow) that part of our being has now become a rock. I think we will never find any soft spot in Buddha's being. Fully rock. And therefore he's the rockstar!

Thursday, February 03, 2011

Prayer

May there be peace among the gods, in heaven and among the
stars; may there be peace on earth, among men and four-footed
animals; may we not hurt each other; may we be generous to each
other; may we have that intelligence which will guide our life and
action; may there be peace in our prayer, on our lips and in our
hearts.

Tuesday, February 01, 2011

Niruttara Tantra

Niruttara Tantra

The wise person should draw the shakti mantra on the forehead, surrounded by three circles. In the centre, he should write the kamabija (Klim), adorned with (other) kamabijas - Niruttaratantra XII, 2 This is a relatively brief work of 15 chapters, belonging to the Kali class of tantras and written in readable and simple Sanskrit. The word Niruttara means "having no better".
Chapter one deals with the three bhavas or temperaments of a tantrik and describes how the different amnayas, a term which here refers to the five directions (north, south, west and eastincluding upper) relate to the classifications into divya (divine), vira (heroic) and pashu (herdlike). Verse 16 gives some definitions: "A divya is one in whom devata predominates, while a vira is strong-minded (uddhata). The acts of a pashu relate to the Eastern Amnaya it is said." Uddhata, which is translated here as strong- minded, is actually a technical term of the tantriks - it means a person in whom the rajas or active guna predominates.
The best 'directions', according to this work, appear to be the Northern and the Upper, both of which have the characteristics of vira and divya bhavas (See Kularnava Tantra). Vaidika worship is for the day while Kula acts are performed at night. A vira should not worship during the day while a pashu should not worship at night-time.
The cremation ground is declared to have two meanings. One is the place 'where corpses sleep' while the other is in the form of the yoni. But the worship must be dual. Without Kalapuja, which in this context apparently also means puja of the lingam of Shiva-Mahakala, Dakshina Kalika does not give fruit.
Chapter two begins a description of Dakshina Kali, her mantra, her preparatory acts (purashcharana) and the results it gives. Shri Shiva says: "One should know that the vagina (bhaga) is Bhagavati, she is Dakshina and the lady of the three gunas (Triguneshvari). This vagina-form is all, that which moves and that which does not move."
At the centre of the yoni, which also here means a downward pointing triangle, is the Ha-ardha kala which is the subtle form of the Devi. The yoni is Dakshina Kali and she is the essence of Brahma, Vishnu and Shiva. When semen is in the yoni of the devi, she becomes Mahakali, the form of light, and gives birth to the universe. Shiva and Shakti are of two kinds, with qualities and without qualities. Without qualities they are a mass of light, the supreme absolute (Parabrahma), eternal. In reverse intercourse (viparitarata), Kali is both with qualities and without qualities. When she takes the form of the new moon, she is without qualities and is known as Aniruddha Sarasvati. When associated with Vishnu, she takes the form of Mahalakshmi, and is Maya herself. In her form as Dakshina Kali, she is the real form of all vidyas (goddesses) who give siddhi (success). Because Shiva and Shakti are one, they must be worshipped together.
Shiva then outlines the chief mantras of Dakshina Kalika. He then describes the dhyana (meditation form). A devotee should worship Kali, using vira bhava, as formidable, with rising swelling breasts full of milk, the colour of a thundercloud, dusky, roaring terribly, and having four arms. She carries a newly severed head, and a sword in her upper left and lower left hands. In her right, she shows the mudras dispelling fears and granting boons. Around her bloody throat, is a necklace made of 50 skulls which are the letters of the alphabet.
Two streams of blood trickle from her mouth. Around her are terrifying jackals which roar in the four directions. Her girdle is made of hands of corpses and she laughs. She is naked, with dishevelled hair, and bears a crescent moon as her diadem. She is seated on the corpse form of Mahadeva, where she has intercourse with Mahakala in the viparita position. Her eyes roll with liquor, her smiling face is like a lotus and she is very terrifying Maharaudri who gives all bliss.
The chapter then describes vira sadhana at night in the cremation ground. A sadhaka should first worship mentally and then may do the outer form of puja. He should also worship Mahakala, whose dhyana is given as follows: Of a smoky colour, with matted locks, three eyes, united with Shakti, naked, of terrifying form, his effulgence equal to a sapphire unguent. He is both with qualities and without qualities.
Then a sadhaka should worship the 15 Kali Nityas in the five triangles and in the eight petals of the Kaliyantra should worship Brahmi, Narayani, Kaumari, Maheshvari, Aparajita, Chamunda, Varahi and Narahasimhika, from the east first. In the four doors of the yantra are Asitanga and the other seven Bhairavas who are Ruruchanda, Krodha, Bhishana, Unmatta, Kapali and Samharaka. They are given worship in pairs, from the east in order.
In the 10 directions, a sadhaka should worship the dikpalas (lords of the directions). After this worship, the practitioner should meditate on her in her form as Kulluka, using a mantra with five syllables situated in the different parts of the body. Shiva says Kulluka is Tara as Mahanilasarasvati. Following this, one should recite the mantra 108 times, worship Mahakala again with Lalita and recite the armour (kavacha) and the hymn (stava).
Chapter three speaks of the kavacha (armour) of Dakshina Kali. This, unlike other Kali kavachas translated in Magic of Kali, is brief and starts: 'Siddhakali, protect my head, Dakshina protect my forehead! Kali protect my mouth always, Kapali, protect my eyes. Kulla shield my cheeks always and Kurukullika protect my mouth. Virodhini protect the adhara (?) and Viprachitta the lips.
'Ugra, protect my ears always and Ugraprabha my nostrils. Dipta shield my throat and Nila be protective of my lower throat.
'Ghana protect my chest and Matra always protect my diaphragm. Mudra always protect the navel and Mita shield my lingam always.' The kavacha goes on to use the 22 letters of the Kali mantra to protect other parts of the body. Shiva then gives a hymn to Kali called the Kalika Stotra. This is essentially an extended meditation, similar to the above.
The main subject matter of chapter four concerns purashcharana, the preparatory acts a sadhika or sadhaka must perform before she or he becomes competent to recite the mantra. Shiva first gives a set of asanas or postures and then says there are 72,000 nadis in the body. The chief nadis for prana (bioenergy or vital breath) are 10 and of these the most important are the Ida, the Pingala and the Sushumna nadis. Within the last is the Chitrini nadi. The three nadis are the Moon, Sun and Fire devatas while Sushumna is of the nature of Sun and Moon conjoined.
Shiva then describes the 10 vayus, which are in sets of two. When a yogi unites that which is above and that which is below, he unites Sun and Moon, realises Om and is one with Hamsa. Hamsa, the tantra explains, relates to the breath. The letter Ha is exhalation and the letter Sa inhalation. A living being (jiva) recites this supreme mantra known as the Ajapa mantra (that which is not recited) 21,600 times day and night.
The ajapa mantra is called the gayatri of yogis and and gives liberation. This, says the tantra, is the secret preparatory act before a mantra can become siddha. There follows a meditation on Kali where she is conceived of as light extending from the feet to the top of the head. A yogi or yogini should offer fruit, flower, scent, clothes, gems mentally to Kali again and again. This, explains Shiva, is the preparatory act of the northern amnaya of Kali Kula.
Shiva then allocates different forms of the Devi to the different directions and describes the purascharanas. A pashu, established in the southern amnaya should use the 22 syllable mantra and recite it two lakhs (100,000), half in the day and half at night. Every tenth time, the worshipper must give sacrifice.
Vira purashcharana is different. The sadhaka and his shakti should be naked in the cremation ground. The shakti should have Kamakala written on her forehead and in the centre of that should be the Devi mantra. The mantra should be recited 100,000 times and every tenth recitation should consist of an oblation of alcohol into fire. If a sadhaka does not have a shakti, he can worship her mentally.
Without doing preparatory acts, there is no entitlement to worship. Puja done without the preparatory acts makes black magic out of a person's recitation and sacrifice. One is also to give gifts to the guru and to his shakti and his relatives. Success in mantra cannot be achieved without supreme devotion.
Chapter five speaks of the Rajani ("the coloured or dark female"), which here seems to mean the shakti of a sadhaka. She should be free of shame, free of the opposites (dvandva), devoted to Shiva, pure (satva-gata) and by her own will (svecchaya) takes the viparita posture in intercourse.
A sadhaka may also meditate on her mentally, as a mass of light in the brow. In this supreme form she sheds nectar. She should also be meditated upon as Gayatri in the form of exhalation and inhalation. This, says Shiva, is the Brahma Gayatri of yogis.
To obtain success, a yogi must reject greed, lust and envy. If a yogi does puja prompted by these, he goes to the Raurava Hell and becomes miserable. He is to reject the idea of difference and then achieves liberation. No-one should worship Kali if hungry or thirsty. 'After eating and drinking, one should worship the auspicious Kalika.'
Unless one is a vira or a divya, one should not worship Kalika. That brings sorrow 'at every step' and a person goes to Naraka Hell. One should not worship Kalika if lazy, as that will bring an individual to the level of a pashu (beast). The Kalika darshana is the lata darshana, that is the revealed doctrine into which sexual intercourse, likened to the twining of a vine, enters. It should be performed in an empty place, in a cremation ground, at a river-bank, on a mountain. There, one should worship Shakti. Without a guru, one should not perform ritual intercourse, which leads to hell, destruction and poverty.
In vira sadhana of Kalika one should use meat, wine, flesh, fish and maithuna (the five m's). The text describes forms of the Devi who are worshipped in this fashion.
Chapter six speaks of the siddhi which ensues from worship of the Rajani, the chief of which is liberation whilst living. Shiva says that this knowledge, which destroys Samsara, should never be revealed. He then describes vira sadhana. The union of female and male is the supreme essence and is the worship of Kalika. It gives siddhi and is hard to obtain even for the gods.
In chapter seven, Shri Devi asks about abhisheka. Shiva says there are two types, that which is done in the vaidika way and also knowledge (jnana) abhisheka, which is hidden in all the tantras. He says a tantrik should do Kula-abhisheka, which creates peace, all that is good, dispels ailments, gives wealth, destroys great sins and the like. It gives the fruit of all bathing places (tirtha).
It is to be obtained from the guru. Shiva says that the devatas are not satisfied unless there is bliss coming from the worship of Kali and the five m's. Without Kulachara, it is impossible to be successful in the Kali mantra. Without this type of abhishekha, all puja turns into black magic and an individual goes to Naraka Hell or worse.
One must bow to the true guru, to deva and devi, do guru puja and then perform the abhishekha at the root of a bilva tree, at the junction of three paths, in the ancestral ground, in a deserted place and in other favoured Kaula spots.
Chapter eight opens with Shiva talking of arghya and the establishment of a pot to do the purashcharana. He gives the mantras associated with the worship. The chapter speaks of the Mahapuja, or great worship, and goes on to list at great length the different devatas of the tradition connected with the abhisheka. This worship gives success to a sadhaka.
In chapter nine, Devi asks how a person becomes successful in the mantras. Shiva describes the initiation of a Kula Shakti. After drawing a Kamakala yantra, the sadhaka should whisper the root mantra in her left ear. The initiated shakti sits on the left of the sadhaka, wearing red clothes, smeared with various scents and adorned with different jewels. The mantra should be drawn on her forehead. By worshipping this shakti in the Kulalula rite, devis from everywhere are attracted to the chakra. This rite produces nirvana for gods and for men. Intercourse with an initiated shakti brings success, provided the participants are initiated by the guru, otherwise the sadhaka is cast into the Naraka underworld.
Devi says she still is unsure about the different Shaktis and asks Shiva to explain further. Shiva says he will speak specifically about the Kula sadhana. A person should not do Kula sadhana without an initiated Vira Shakti.
He speaks of five chakras where these shaktis may be worshipped, which are the Raja chakra, the Maha chakra, the Deva chakra, the Vira chakra and the Pashu chakra. Brahmacharis and Grihasthas (householders) can worship in these five chakras. He speaks of various substances used in the chakras including svayambhu, kunda, gola and udbhava flowers, which are Kaula tantrik code-terms for menstrual blood and also gives days of the waxing and waning Moon which bring success in the particular rites.
The goddess asks who are the five mothers worshipped in the rite. Shiva explains they must be initiated women. Without worship of svayambhu, gola, kunda and udbhava flowers, the rites are useless and bring harm to sadhakas.
The tenth chapter is a discussion about the different chakras in the Kaula tradition, here meaning assembies of the Kaula folk. Shiva says that Vira or heroic sadhana may only be accomplished with an initiated Shakti. Chakras are of five types: Raja, the Mahachakra, the Devachakra, the Virachakra and the Pashuchakra. Both Brahmacharis and Grihastha (householders) can worship in all five.
Shiva gives details of the ritual accessories (upacharas) employed in these as well as the best times for creating them. The best times are the eighth and fourteenth days of the waning Moon on a Tuesday or on the fourth and seventh days of the waxing Moon on a Thursday. 64,000 forms of the Devi dwell in the different chakras. The Vira Chakra should take place on an eighth or fourteenth day of the dark fortnight in the ancestral grounds, that is the cremation ground. Shiva completes this chapter by describing the five maidens (Kanyas) and their worship.
Devi asks Shiva about sadhana of the yoni in chapter eleven. First, Shiva describes the characteristics of the sadhaka, then moves on to the sadhika. The male should be free from duality, ego- less, generous, fearless, pure, devoted to his gurudeva, peaceful and devoid of shame and greed. He should wear red clothes and red gems.
The sadhika (female worshipper) should have similar qualities and when having intercourse should, by her own will (svecchaya) assume the inverse sexual position (viparita). She should be initiated in the tradition. The mantra should be recited 108 times and the Devi worshipped internally. The Kulachakra should be drawn using vajra flowers and the preparatory act completed by reciting the mantra 108 times. The mantra Hrim should be drawn on the forehead of the Shakti. Shiva says that without puja of Kamakhya, it is impossible to be successful in the mantra. More details are given in chapter twelve.
In chapter thirteen, the Devi asks Shiva about the Vidyas (female mantras) giving siddhi (success). Shiva relates the different goddesses to the types of Shakti. Tara is the Chandali, Shri Vidya the Brahmani, Cchinnamasta the Kapali. This chapter also gives results from worshipping Devi for a given period of time. Doing Kaula puja according to the Mahachinachara rule and worshipping Kamakhya in a cremation ground gives sovereignty.
The quite long chapter fourteen opens with Devi asking Shiva about the Veshyas. This word, literally, means whore but is applied in this tantra to initiated Shaktis and to Devis. Shiva enumerates seven, the Gupta Veshya, the Mahaveshya, the Kulaveshya, the Mahodaya, the Rajaveshya, the Devaveshya and the Brahmaveshya.
The Guptaveshya is without shame, with her eyes rolling with lust. The Mahodaya, by her own will, takes the viparita position. The Kulaveshya is the spouse of the Kula. The Mahaveshya is a digambari by her own will, that is, she goes naked. Then follows a eulogy of the viparita position. If mantra is recited when in intercourse with the Shakti, she is Kali and gives mantra-siddhi and nirvana. When semen is emitted during the rite, a sadhaka becomes like Mahakala while the sadhika becomes like Dakshina Kalika. Only through the Kaula rite does a human being become enlightened.
The fifteenth chapter deals with the panchamakara, known as the five M's, and used in vamachara rites. These are madya (wine), mamsa (flesh), mina (fish), mudra (bean) and maithuna (sexual intercourse). The sadhaka, at night, sits with his Shakti to his left, doing the various types of nyasa first. The chapter gives the rules of puja and towards the end enumerates the ten Mahavidyas and the other Siddha Vidyas. These are given as Kali, Tara, Cchinna, Matangi, Bhuvaneshvari, Annapurna, Nitya, Durga, Mahishamardini, Tvarita, Tripuraputa, Bhairavi, Bagala, Dhumavati, Kamala, Sarasvati, Jayadurga, and Tripurasundari. For these 18 Mahavidyas, there is no need for purification, nor of considering day, tithi, nakshatra, yoga or karana. Thus ends the Niruttara Tantra.

Friday, January 28, 2011

New pranayam being experimented with...with respects to Lord Shiva-Shakti

Do alternate nose breathing.
As you inhale from left nostril lift up perimeum and send the energy to the top of the head.
Exhale from right nostril and lower peririum
Now inhale from right nostril and raise perinium

my theory is that this  will balance the nadis and ensure that the energy moves up the sushumna and not any other naadis.

Monday, January 24, 2011

From needleman's book Time and Soul

Long ago there was a young merchant named Kirzai whose business called for him to travel to the village of Tchigan, some hundred miles away. Ordinarily, he would have taken the long route that followed the edge of the mountains, protecting him from the sun. But on this occasion, Kirzai was under the pressure of time. He needed to get to Tchigan as soon as possible to complete a certain business deal. So, he decided to strike out across the Syr Darya desert. 

Now the Syr Darya desert was known for its intense and merciless heat. Very few took the dangerous passage. Nevertheless, Kirzai watered his camel, filled his gourds and set off on his journey.

Several hours after he left, the desert wind began to rise. The winds swirled. The sand shifted underfoot. Landmarks became obscured. Suddenly, a hundred yards ahead of him, Kirzai saw a gigantic whirlwind. Never had he seen anything like it. It cast a strange purple light all around it. Even the color of the sand was changed. He hesitated, not knowing whether to continue or make a lengthy detour. But he was in a great hurry, so he lowered his head, hunched his shoulders, and pressed forward into the strange storm. To his surprise, the moment he entered the storm, it became much calmer. The wind no longer cut against his face. 

But suddenly Kirzai stopped again. Ahead of him, he saw a man stretched out on the ground next to a crouching camel. Kirzai dismounted and approached the man. 

The stranger’s head was wrapped in a scarf but Kirzai could see that he was old. The old man opened his eyes, looked intently at Kirzai and then said in hoarse whisper, “Is it. . .you?”

Kirzai laughed and said, “Has my fame spread to the desert of Syr Darya? But you old man, who are you?” 

The man said nothing. Kirzai continued, “In any case, you are not well. Where are you going?” 

The old man sighed, “To Givah…but I have no more water.”

Kirzai reflected. If he shared his water with the old man, he would not have enough to complete his own journey. He would be forced to turn back. “But a man can not be left to die without a backward glance!” Kirzai thought. 

So he helped the old man drink some water, filled one of the man’s gourds and helped him to mount his camel. “Go straight ahead” Kirzai said, pointing with his finger. “You’ll reach Givah within two hours.” 

The old man made a sign of acknowledgement with his hands and looked for a long moment at Kirzai. Then he uttered these strange words:
“One day the desert will repay you.” 

Some thirty years later, while he was in the market place of Tchigan, Kirzai learned his oldest son had become gravely ill in Givah. Kirzai was under the pressure of time. He needed to get to his son. He determined to try the fastest way: through the Syr Darya desert. He watered his camel, filled his gourds, and set off.

Along the way, he spurred his camel on, not even slowing down while drinking, and that is when the accident happened. He dropped his gourd of water and before he could retrieve it, he watched the water disappear into the sand. Kirzai cursed out loud. With only one full gourd, it was impossible to cross. Yet, for his son, he pressed onward… “I must get to him…I will get to him.” 

But the Syr Darya is merciless, and cares not why a person braves its danger or how noble their cause. Kirzai’s skin burned. His throat was parched. He knew he had made a grave mistake. His last gourd was empty and a sandstorm was rising. The winds swirled. The once stable ground started to shift underfoot. Landmarks became obscured. He wrapped his head in his scarf and let his camel carry him where it could. He did not even see the gigantic whirlwind which arose before him, giving off a soft purple light. His camel was startled and crouched, throwing Kirzai to the ground. “This is the end,” he thought. 

Suddenly, he was filled with joy to see a man mounted on a camel approaching him. But the closer the man came, the more Kirzai’s joy turned to stupefication. This man who approached – it seemed Kirzai knew him! He recognized his youthful face, his clothes, even the camel that he rode. Kirzai was certain: the young man who came to help him was himself. 

“Is it. . .you?” said Kirzai in hoarse whisper,

The young man looked at him and laughed. “What? Don’t tell me you know who I am! Has my fame spread to the desert of Syr Darya? But you old man, who are you?”

Kirzai was speechless. The young man went on, “In any case, you are not well. Where are you going?” “To Givah,” replied Kirzai, “but I have no more water.”

Kirzai saw that the young man was trying to decide what to do—to give help or to continue on his own journey. But Kirzai knew what the decision would be – he smiled as the young man offered him a drink of water, filled his empty gourd, and helped him onto his camel. “Go straight ahead that way and you’ll be in Givah within two hours.” 

The old Kirzai looked for a long moment at the young man he had once been. He wished to speak to the young man of many things, but he could only find these words: “One day the desert will repay you.” 

Kirzai grew to be a wise man, so the story goes. When he would tell his strange tale, everyone who heard it believed it was true. Ever since that time, the desert of Syr Darya has been known by the name, Samovstrecha, which means: the desert where one meets oneself.


Sunday, January 16, 2011

Directing the movement of the sexual energy


To use your transmuted sexual energy follow these basic steps:
Begin by building up you sexual energy. The deer exercise can be used for this purpose or you can use any other form of sexual stimulation that brings you joy. You may want to practice this alone at first as having a partner can be distracting. However, once you have mastered the process of sexual transmutation, having a partner in your manifestation process will multiply your power.
Once you have built up your sexual energy and have achieved a state of ecstasy and joy, begin to move the energy up your body to the higher chakras. Contract your pelvic floor muscles to pump the hormones up into the endocrine system. Make the sound of "aah" deep form you diaphragm to aid in moving the energy.
You will likely experience a tingling sensation in your spine as the energy moves up. Move the energy first in to the creative chakra. Visualize bright yellow colors as you feel your creativity expand. If you have any kind of problem in your life, now is the time to think of creative solutions. Don't loose your sexual stimulation by focusing too much on the problem. Allow only the solution to drift into your mind then let it go. Continue with the "aah" sound to help move the energy.
Move the energy up to the heart chakra. Feel the power of love and sexual energy combine. Feel loving appreciation for your sexual power and energy. Experience increasing joy and ecstasy as the sexual energy is transmuted into love.
Now continue to move the sexual energy into the throat chakra. Feel the vibration of the "aah" sound as it resonates in you throat. Feel the power to express your desires. Feel the tingle in your back. If you sexual energy is starting to fade, go back to your sexual stimulation. Build up as much energy as you can without releasing it through ejaculation.
Now bring the sexual energy up to the level of the third eye. Feel the power of your love and sexual energy in your forehead. Feel the tingle in your back.
Clench your pelvic muscles to send bursts of energy up through your body. Allow sounds of pleasure to escape your mouth.
Continue to send bursts of energy into your desires as long you feel happy doing so. Do not push yourself to exhaustion. Just enjoy the flow of energy. Maintain the state of ecstasy for as long as possible. Take some time before you return to your normal routine.

(http://ezinearticles.com/?How-to-Transmute-Sexual-Energy-to-Achieve-Success-and-Manifest-Desires&id=1840310 )

Friday, January 14, 2011

Chapter 6 - Kundalini practices reference in Gyaneshwari


Chapter 6 of Gyaneshwari
I shall now describe to you an excellent Mudra. first he should sit folding the legs on the corresponding thighs placing the left leg obliquely over the other leg. Then pressing firmly the right heel against the sphincter of the anus, and keeping it on the ground, he should press it against the pubic bone so that the right heel perches on the left heel. Of the space of four fingers between the anus and the male organ he should leave the space of one and half fingers above and below (191-195) and press by the upper part of the heel the middle space one finger wide. Then balancing the body, as if lifting the lower part of the spinal column, he should keep the two ankles straight. Now the whole body, O Partha, remains steady on the two heels, Arjuna, this is the characteristic of the mudra known as mulabandha, also known as vajrasana, the diamand posture. When he achieves this mudra, the inbreath, with its downward passage blocked, begins to move backwards (196-200).
·  Holding the body, head and neck erect and steady without motion, he should fix his gaze on the tip of his nose, without looking around.
Then he should place both his palms on the left knee, so that the shoulder blades are raised up. Since the shoulders are lifted up, the head becomes buried (in the chest) and the eye-lashes begin to close. The upper eye-lash remains steady and the lower one spreads out so that the eyes look half-closed. In this way, the vision remains inwards and even if it tries to go out, it remaains confined to the region of thenose-tip. Thus this half-closed sight remains centered inwards and unable, to go outwards, rests on the nose-tip (201-205). Then all desire to look in all directions or to wait until the activity of vaious form to impinge on the sight naturally ceases. Thereafter the adam's apple is pushed back and the chin is tightly set against the jugular notch pressing against the chest. When the adam's apple disappears from sight, the bandha so formed, O Arjuna, is known as Jalandhara (Chin-Lock). Then the navel comes up, the belly becomes deflated and inside the diaphragm rises up. This bandha which is formed above the lowest nerve centre and below the nerve-centre ate the neval is known as Udiyana. When the yoga proceeds in this manner in respect of the parts of the body, then it reduces the grip of the mental functions.
·  Then with a serene mind, and becoming fearless and firm in the vow of chastity, the yogi should control his mind, thinking of ME and remain devoted to Me.
Then the imagination subsides, activity becomes calm, and the functions of the body and the mind stand still. Then thoughts of hunger and sleep do not bother him and he does not even remember them. The in-beath which was confined by the anal construction (mulabandha) moves backwards and being excited and puffy, it grows in its place of confinement and bangs at the naval centre (manipura). Then this expanded in breath churns the belly from all sides and removes the impurities collected theirin from childhood. But instead of rolling at the bottom, it enters the belly and destroys the bile and phlegm therein. It overturns the seven humours without leaving a trace, pulversies the rolls of fat and draws out the marrow of the bones. It calms the nerves and making the limbs loose, frightens the spiritual aspirant, but he should not funk. It gives rise to illness, but cures it also instantaneously and mixes together the liquid (bile, phlegm etc.) and solid (flesh, marrow etc.) parts of the body (216-120). O Arjuna, next the heat nererated by the posture wakes up the serpent power known as Kundalini like a young serrpent bathed in red pigment (kumkuma) resting twisted round itself, this small serpent power, the kundalini, is asleep with mouth downwards in three and a half coils. She is like a streak of lightening or a fold of flame, or a polished band of pure gold.
This kundalini sitting crowded at the naval centre wakes up, when she gets pushed up by the annal contraction (mulabandh) (221-225). Now as though a star has fallen or the sun's seat has broken loose or the seed of lustre, which has been planted, has produced a sprout, so this serpent power is seen to uncoil herself and stand up relaxing her body on the naval centre. She has been hungry for long, and by reason of her being woken up, she opens her mouth wide and forcefully raises it up. Arjuna, then she embraces the in-breath collected under the lotus of the heart, and begins to bite the upper and lower flesh (226-230). She easily swallows the flesh wherever she can find it, and then she takes one or two mouthfuls of the heart's flesh also. Then she searches for the soles of the feet and palms of hands, and piercing their upper parts she shakes up all the limbs and joints. Thereafter without leaving her place, she draws out the core of the finger-nails, and cleansing the skin, clings to the skeleton. She clean up the bones and scrapes the fibres of muscles, so tht the grwoth of the hair-roots of the body begin to wither. Then she quenches her thirst by lapping up the seven humours, and makes the body completely dried up all over (231-235). Then she draws in forcibly the out-breath, flowing outwards from the nostrils to a distance of twelve fingers. She thereafter pulls up the in-breath and pulls down the out-breath, and when they meet, only the sheaths of nerve-centres remain. Both the breaths would have mingled at that time; but the Kundalini, being uneasy for a moment, asks them to keep away. O Arjuna, this serpent power eats up all the solid stuff in the body, and leaves nothing of the watery parts also. When she eats these solid and liquid parts of the body, she becomes satisfied and remains calm in the spinal cord (236-240).
In this state of satiation, the venom she turns in nectar and sustains life. The fiery venom which comes out nectar and sustains life. The fiery venom which comes out cools internally the body, which regains once again the strength which it had lost. The nervous flow stops and the nine life-breaths except prana cease and then the body too loses its functions. Then the breaths flowing through the left and right nostrils mingle, the knots of the three lower nerve-centres become loose, and the six nerve-centres become disjoined. The sun and moon currents of breath, which flow through the nostrils, are so subtle that they are not felt on the fibre held before them (241-245). The sparkle the intellect then ceases and the frangrance in the nose, along with the serpent power, entres the spinal cord. The cask of moon-nectar situated above tilts on one side, and the nectar begins to flow into the mouth of the Kundalini. The nectar fills her and then spreads to the whole body and is soaked therein by the aid of the prana. As wax, placed in a red-hot mould melts and fills it up, so the body looks as if lustre, covered by skin, has descended in the human form (246-250). As the sun, hidden behind the cloak of a cloud, comes out in full splendour when the cloud is scattered, so the scales of skin, which seemed dry, fall off like husk, and then the body assumes a complexion so comely as though it is fashined out of crystal or has sprouted from a gem, or dressed up with the red hue of the evening sky, of it is the figure taken on by the inner light. Then his body looks as if it is filled with red pigment and nectar or it appears as though it is peace incarnate (251-255). It is like a picture of delight, or a form of great happiness, or a full-grown bush of contentment, or a bud of gold-flowered champak (michelia Champaca) or a bust of nectar or an orchared laden with tender leaves, or like the moon embellished with the autumnal dew, or like a statue made of lustre sitting on a seat, when the Kundalini drinks the moon elixir. Then even Death-god stands in awe of that figure.
Then old age recedes, youthfulness takes a leap backwards, and the childhood which had long past returns (256-260). Even though he looks so young, he performs great feats and his courage is equally great and unexcelled. Even as sparkling buds come out from the leaves of the golden tree, new lustrous finger-nails come out of his body. He also gets new teeth, but they are so small, that they look like two rows of pearls set in the mouth. Like the broken bits of atom-sized rubies, tips of hair grow on his whole body. The palms of the hands and the soles of the feet become red like red lotuses and how can one describe his clear eyes (261-265)? Just as the shell cannot contain the pearl when it swells and becomes oversize, and its seam gives way and begins to open, so the sight, instead of being held within the eye-lashes, goes out far and wide and pervades the whole heaven. O Arjuna, the body takes on a golden colour but possesses the lightness of wind, having lost the liquid and solid parts of matter.
Then the yogi can see beyond the seas, hear the sounds of heaven, and comprehend the desire of an ant. He can ride on the wind, walk on water without wetting his feet, and in this way he acquires many miraculous powers (266-270). Holding the hand of prana and climbing the steps in the region of hearts, the Kundalini reaches the heart centre through the spinal cord. This Kundalini is the mother of the world, who illumine the self and gives shade to the sprouted seed of the universe. It is the embodiment of the formless Brahman, the cask of Lord Shiva, the main spring of the sacred syllable Om. When this outhful Kundalini enters the heart-centre, she begins to utter unbeaten sounds. The sounds fall slightly on the ears of intelligence, which is very close to the serpent power (271-275). In the cubicle from which these sounds emanate, they manifest themselves as figures as if drawn on the lines of Om. This can be known only by imagination, but where to find one who possess it? No one knows that rumbling foes on in the region of the heart. I forgot to mention, O Arjuna, that so long as prana remains, these subtle sounds are produced in the region of the heart. When the latter resounds with these sounds resembling the rumbling of clouds, then the window to the Brahmarudhra redily opens. There is another great region resembling the calyx of a lotus, in which the self resides aloft (276-280). The supreme Kundalini then enters this abode of the self and offers him the victuals of her lustre. She indeed offers intelligence as a vegetable dish to him and does it in such a way as to leave no trace of dualism. Then the Kundalini gives up her fiery complexion and reamins in the gaseous state. You might as well ask how she looks at that time. She dissolves herself in this gaseous form and keeps aside her garment of golden stripes. Even as the light is extinguished by the touch of the wind, or the lightning flashes and disappars in the sky (281-285), so when the Kundalinin enters the lotus of the heart centre, she looks like a gold-chain or like water flowing from a spring of light. Then all of a sudden she subsides into the calyx of the heart, and her form merges into the formless Shakti. Although she is called Shakti, she is still in the form of gas (Vayu). At that time one is not aware of the Nada, or the Bindu or of the Kalajyoti. Then the conquest of mind, the support of breath-control and resort to meditation do not survive, and though and its absence come to a stop. So she is the crucible in which the gross elements crubmle (286-290). That the body should be swallowed by the body is the Natha creed and and its purport is disclosed here by Lord Krishna, the incarnation of Vishnu. Untying the bundle of that purport and unfolding the truth, I have presented it before you, who are its clients.
·  By applying himself thus constantly the self-controlled Yogi attains peace consisting of infnite bliss, that abides in Me.
Arjuna, when the Shakti loses her power, the body becomes bereft of form and becomes invisible to the world. But then the body looks like a banana tree which, shedding its outer skin, stands bare in its core or like the sky which has put forth limbs (291-295). When the body assumes this form, the yogi is called the sky-rover. When he attains to his state, his body works wonders in the world. When he walkes leaving a trail behind him, then the eight miraculous powers wait upon him at every step. But of what avail are these powers to us? O Arjuna, the elements of earth, water and fire get dissolved in the body. the earth is dissolved by water, water by fire, and the wind dissolves the fire in the heart. Then the wind alone remains, but in the form of the body; and that too becomes absorbed in the sky of the Brahmarandhra (296-300). She retains her shakti form until she becomes one with Brahman.
Now she is not known as Kundalini, but takes on the name 'aerial' (maruta). Then leaving the jalandhara bandha and breaking open the end of the sushumna nadi she enters the cidakasha of Brahmarandhra. Placing her foot on the back of Omkara, she then crosses the second stage of speech known as pashyanti. Then she pierces the half crescent matra of Om and enters the cidakasha, as the river enters the sea. Making herself steady in the Brahmarandhra with the conviction that 'I am Brahman there. then with the destruction of the veil of the five great elements results the union of Shiva and Shakti. And she along with the cidakasha becomes merged in the blilss of Brahman, just as the sea water being transformed into clouds (by the process of enaporation) and the clouds pouring down into the rivers, ultimately rejoin the sea, in the same way the embodied self, by means of the human body, enters the abode of Brahman and becomes united with it.
At this stage all doubt or discussion whether there is duality or unity comes to an end. When a person experiences this state in which the cidakasha becomes merged in akasha, he becomes one with it (306-310). This state cannot possibly be experessed in words so that it can be explained in conversation. O Arjuna, even Vaikhai, the fourth form of speech which boasts of its power of expressing a thought remains mute in this case. Even the makara, (the third syllable of Om) finds it difficult to enter the region behind the eyebrows. Similarly, the vital breath prana experiences difficult to enter the region behind the eyebrows. Similarly, the vital breath prana experiences difficulty in entering the cidaksha. When it gets merged in the cidakash, the expressive power of words comes to an end, and then even the akasha becomes attenuated, so that one finds it difficult to trace it in thedeep waters of the unmanifest state of the Absolute. Of what avail are words then? (311-315). This state cannot be certainly brought within the scope of words or of hearing: this is the absolute truth. If fortune favours a person and he cares to experience it, he becomes one with it. Then nothing remains to be known, O archer, and any further talk about it would be fruitless. It is a state from which words turn back, in which desire ends and which is beyond paleof thought. This is the beautiful state of mental obsorbtion, the youthful state of samadhi in which the yogi becomes one with Brahman.It is beginningless and unfathmable (316-320). It is the orgin of the universe, the fruit of the Yoga-tree and the very sentience of bliss. It is that in which the state of emancipation, all beginning and end get merged. This Brahman is the orgin of the five great elements, the light of light, in short, o partha, it is my own essence. When the non-believers persecuted the band of my devotees, I became incartnate and assumed the beautiful human form with four arms. In order to attain the indescribable bliss of this form men strove creaselessly and became full of bliss (321-325). Those who practised this method of Yoga described by me became purified and achieved a capability equal to mine. There bodies appear brilliant, as if they are fashioned out of the essence of the supreme spirit, cast in the mould of the human form. Once such experience illumines the mind, the entire world of appearance vanishes.

Wolf and Lamb

"He will deserve the name of man and will be able to count on that prepared for him from on High, only if he will have known how to acquire the gifts necessary to conserve unharmed both the wolf and the lamb that have been entrusted to him"- Gurdjieff

"Evil is Unbalanced forced. Unbalanced force is Evil"


We need to use the energy and potency of our lower selves and balance their momentum with the sense of submission and service of the lamb in us